Author: Pia Ehrhardt
My mother is private with her grief. Since my father's
death last year there has been almost no talk of him. When she got back from
the funeral, she put his clothes in boxes for Goodwill, and rearranged the
furniture in the den. She won't discuss what she will do now. She's 55.
I want her to do something. I think I know what is best
for her. I always did. I remember watching her get ready to go out with my
father, dressed in a green silk shirt, her hair up, red lipstick, frowning in
the mirror because, she said, “The light was bad,” and thinking: She should
look happier than that. The light is fine. I can see her, plain as day, with
her life back, those thirty years to do over. Anything she wants. I would be
all over this. I'd quit my job and travel for a year if I weren't so afraid of
planes, of deep water, of spending money.
We live in Mississippi. I should have moved to Atlanta
when I had a chance. If I left now it would seem personal. I live a mile from
my mother's, in an apartment with a ceiling fan in every room. There's constant
wind in my house. I need ventilation. Still air makes me nervous.
My mother smokes in her house; when my father was alive
she would go out on the patio. When it was cold or rainy, she would stand in
the half bath and open the window, blow the smoke through the screen. Now, she
lights up in every room. She keeps the blinds pulled so neighbors won't look
in, spreads the slats and stares out. She blows smoke hard at the glass as if
it could push through.
My boyfriend, Martin, is a general contractor. I met him
at Ruby's Roadhouse shooting pool. I
love pool. We had a table in the den and my father and I would play, chalk our
cues, walk around, think four moves ahead, get eyelevel with the ball and call
our shots. The table has also gone to Goodwill. The table, and the detective
novels my father read, and the stack of warped Nina Simone and Paul Desmond
LPs.
I tell my mother she needs to strip the grass cloth off
her dining room walls. It's stained. When she rehung some family photographs
the color underneath was twenty shades darker. I think fresh paint will look
great. Light green. I tell her about Martin. Not that I'm dating him, but that
he is professional, dependable. I say I can have him come by and give an
estimate. She smiles. She likes when I step in. She would like me to keep her
tank filled with gas, manage her money, answer the phone, but I can't. It would
feel like employment. She is happy when I stop by, and she's ready for me to go
when I leave. I'm not really welcome in her house.
I set up a time for Martin to go over there. He is fifty
and heavy set, with curly gray hair and perfect straight teeth. I could envy
other people's teeth all day.
I used to think I took my father away from my mother,
because that seemed so easy. Like taking candy from a baby. Now I think my mother gave him to me.
In high school, I was his daily dinner companion. My
mother went in and out of the room, bringing us food, answering the phone when
my friends called at the wrong time. She lit candles. She hardly sat down. I
didn't want him. I wanted to feel good watching them together, but that didn't
happen, so I looked good with him instead. I knew that to put myself in front
of him was also how to stay out of trouble. I asked questions that made him
talk. I listened. She didn't. She told long stories without points, talked
about her day. He looked at me to see if I was as bored as he was, but I didn't
look back, just pushed around the food on my plate. He corrected her sentences
and jumped on her opinions, challenged every one, and she'd get quiet, pissed
off, push her chair away from the table, get the bread from the oven. She'd found a way to leave him without breaking
up the family.
I went along with it; I didn't notice there was an
unyielding argument going on that was brutal and erotic and theirs. By my senior year, I was staying over at
friends' houses.
Martin calls me back and says she's open to pulling off
the grass cloth. And while he was there he suggested the heavy brick all over
the den would look nice painted. She thinks that's a good idea. “I like your mom,” he says. “She's funny.” I
don't think my mother is funny. She is beautiful. She is twenty years older
than I am. My father was so critical, I wasn't sure why she stayed. I wanted
her to be with someone besides him. I
imagined other lovers for her who would be other fathers for me, and they
seemed okay. We could adjust.
“Why don't you
take her to dinner?” I say. He laughs.
“I am dead serious,” I say.
“I thought about it,” he says.
And he does. He doesn't tell me much, and I try not to
ask. After two weeks, I do ask. “Are you
sleeping with her?” I say.
“This is a no win
deal,” he says.
“Could you stop?”
I say.
He's sitting in his red truck. I'm blocking his driveway,
because I stopped by to see him on my way to work and caught him as he was
leaving. He looks away, at a neighbor picking up the newspaper from the
curb. “It wouldn't be because I wanted
to.”
My mother and I are drinking decaf on the patio. She is
smoking, French inhaling, enjoying every bit of her cigarette.
“What's new?” I ask her. “The house is looking nice.”
“Yes,” she says. “Except one good room makes the other
rooms shabby.”
“So you'll keep renovating?” I say.
“I think so.” She sighs in a comfortable way.
I tap one of the cigarettes out of her pack and ask her
for a light. She looks at me, pleased. “I haven't seen you smoke since high
school,” she says.
“It gives me a headache,” I say, “but sometimes I miss
it.”
Smoking is something besides my father we could have had
in common. Sneaking away for a cigarette would have given us a chance for those
easy, squeezed-in talks. There was too much dead time in the house. She was
always home, and I was always bored and urgent, hoping, soon, to be on my way
somewhere.
I miss her more than my father.
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